As an interdisciplinary artist, uncertainty through familiarity is at the core of my inquiries. For twelve years, these questions have centered around looping techniques and the sculptural and conceptual possibilities of crochet in relation to memory, perception and time. In crochet, the looping process functions as a double-check. With each loop dependent on the former, the surface becomes the structure – a 3D matrix of physical pixels. The nature of the loop has also turned my interests toward ceramics, and image making through video and computer coding – where recursive statements, rotation, and mirroring are standard looping methods.
Collaboration, is also a looping process. It is a call and response, a verification met with modification. It is the space probe in orbit – building up momentum with each revolution - preparing to propel itself outward (after focusing inward) toward areas unknown.