("-itis IV," glazed and painted porcelain. 2015​)

Revision Control (Vessel as Phenomenological Repository), 14” x 10” x 7”, glazed and painted porcelain, 2019. These ceramic sculptures are inspired by Ermine caterpillar webs and the physiological phenomenon of afterimages. Utilizing natural fibers soaked in porcelain slip, open-latticed crocheted forms are fused to wheel-thrown vessels with celadon glaze in the final firing. They are then painted with color fades, patterns and textures in reference to the liminal overlap experienced in our continuous oscillation between the digital screen and daily world. The many layers of paint and varnish also allude to the complexities of viewing traditional ceramic forms and history through the nebulous plasticated afterglow of contemporary life. Often forming a communal web, Ermine caterpillars graft onto elements of the landscape in their process of transmutation. Here, a multifaceted approach is utilized to also question where ceramics may branch or fork from this shared history of functional forms.

Revision Control (Vessel as Phenomenological Repository), 14” x 10” x 7”, glazed and painted porcelain, 2019. These ceramic sculptures are inspired by Ermine caterpillar webs and the physiological phenomenon of afterimages. Utilizing natural fibers soaked in porcelain slip, open-latticed crocheted forms are fused to wheel-thrown vessels with celadon glaze in the final firing. They are then painted with color fades, patterns and textures in reference to the liminal overlap experienced in our continuous oscillation between the digital screen and daily world. The many layers of paint and varnish also allude to the complexities of viewing traditional ceramic forms and history through the nebulous plasticated afterglow of contemporary life. Often forming a communal web, Ermine caterpillars graft onto elements of the landscape in their process of transmutation. Here, a multifaceted approach is utilized to also question where ceramics may branch or fork from this shared history of functional forms.

Revision Control (Vessel as Phenomenological Repository), 12” x 11” x 7”, glazed and painted porcelain, 2019. These ceramic sculptures are inspired by Ermine caterpillar webs and the physiological phenomenon of afterimages. Utilizing natural fibers soaked in porcelain slip, open-latticed crocheted forms are fused to wheel-thrown vessels with celadon glaze in the final firing. They are then painted with color fades, patterns and textures in reference to the liminal overlap experienced in our continuous oscillation between the digital screen and daily world. The many layers of paint and varnish also allude to the complexities of viewing traditional ceramic forms and history through the nebulous plasticated afterglow of contemporary life. Often forming a communal web, Ermine caterpillars graft onto elements of the landscape in their process of transmutation. Here, a multifaceted approach is utilized to also question where ceramics may branch or fork from this shared history of functional forms.

Revision Control (Vessel as Phenomenological Repository), 12” x 11” x 7”, glazed and painted porcelain, 2019. These ceramic sculptures are inspired by Ermine caterpillar webs and the physiological phenomenon of afterimages. Utilizing natural fibers soaked in porcelain slip, open-latticed crocheted forms are fused to wheel-thrown vessels with celadon glaze in the final firing. They are then painted with color fades, patterns and textures in reference to the liminal overlap experienced in our continuous oscillation between the digital screen and daily world. The many layers of paint and varnish also allude to the complexities of viewing traditional ceramic forms and history through the nebulous plasticated afterglow of contemporary life. Often forming a communal web, Ermine caterpillars graft onto elements of the landscape in their process of transmutation. Here, a multifaceted approach is utilized to also question where ceramics may branch or fork from this shared history of functional forms.

Revision Control (Vessel as Phenomenological Repository), 13” x 9” x 6”, glazed and painted porcelain, 2019.. These ceramic sculptures are inspired by Ermine caterpillar webs and the physiological phenomenon of afterimages. Utilizing natural fibers soaked in porcelain slip, open-latticed crocheted forms are fused to wheel-thrown vessels with celadon glaze in the final firing. They are then painted with color fades, patterns and textures in reference to the liminal overlap experienced in our continuous oscillation between the digital screen and daily world. The many layers of paint and varnish also allude to the complexities of viewing traditional ceramic forms and history through the nebulous plasticated afterglow of contemporary life. Often forming a communal web, Ermine caterpillars graft onto elements of the landscape in their process of transmutation. Here, a multifaceted approach is utilized to also question where ceramics may branch or fork from this shared history of functional forms.

"-itis IV." Painted and glazed porcelain. 2015

"-itis IV." Painted and glazed porcelain. 2015

"-itis III." Painted and glazed porcelain. 2015

"-itis II." Painted and glazed porcelain. 2015

"-itis." Painted and glazed porcelain. 2015

"-itis." Painted and glazed porcelain. 2015 2015

"-itis V." Painted and glazed porcelain. 2015

"-itis V." Painted and glazed porcelain. 2015

From the series, "Devoided Accretions." Painted and glazed porcelain. 2015

From the series, "Devoided Accretions." Painted and glazed porcelain. 2015

From the series, "Devoided Accretions." Painted and glazed porcelain, 2015. Apx. 8" x 6" x 4.5"

From the series, "Devoided Accretions." Painted and glazed porcelain, 2015. Apx 6" x 7" x 8".

Detail. Painted and glazed porcelain, 2015. Apx 6" x 7" x 8".

From the series, "Devoided Accretions." Painted and glazed porcelain, 2015. Apx. 5" x 4" x 3".

Detail. Painted and glazed porcelain, 2015. Apx. 5" x 4" x 3".

From the series, "Devoided Accretions." Unglazed cone-6 porcelain. 2015

From the series, "Devoided Accretions." Unglazed cone-6 porcelain. 2015

From the series, "Devoided Accretions." Painted and glazed porcelain. 2015

Detail view.

From the series, "Devoided Accretions." Painted and glazed porcelain. 2015

Detail view.

From the series, "Devoided Accretions." Painted and glazed porcelain. 2015

Unglazed, cone-6 porcelain. 2015

From the series, "Devoided Accretions." Painted and glazed porcelain. 2015

Detail view.

From the series, "Devoided Accretions." Painted and glazed porcelain. 2015